Jurassic Park: Fallen Kingdom is an embarrassment for everyone involved, a woeful waste of money but worse, it's a waste of your time.

A profound story about duty and desire, Sebastian Lelio's wonderful new film, Disobedience provokes thought consistently.

About the same suspension of disbelief we were willing to grant Soderbergh’s Ocean’s Eleven, we grant Gary Ross' Ocean’s Eight.

What sticks about Ari Aster's new horror, Hereditary, is its warped but recognisable human drama, and the actors who deliver it.

There are a bunch of ugly people in Nash Edgerton’s woeful new film, Gringo, and the film is totally clueless about how to deploy them.

The conventional worry about the state of film is that FX-laden blockbusters will prevent films like The Bookshop from being made.

Solo, the creative equivalent of treading water is not how great films are made, and Star Wars was a great franchise, a long time ago.

A winning sequel. The Deadpool movies are like other superhero movies, yet not like them. Both things are kind of the point.