Radu Jude's latest MIFF movie adapts a classic French novel with a usual dose of his unconventional perspective.

Hirokazu Kore-eda's take on artificial intelligence is too similar to those that came before in the director's latest MIFF film.

Eli Roth's new horror comedy about ice cream-possessed children reaches its gory peak too soon and has nowhere to go from there.

A biopic of George Washington 20 years before the American Revolution, which came along just in time to celebrate the country's 250th, lacks in distinguishing elements.

We preview the upcoming Melbourne International Film Festival with a look at two blasts from the past that are among the festival's Victorian debuts.

Jane Schoenbrun returns with their unique take on horror imagery, this time with a comedic and romantic twist.

The latest broad Kevin Hart comedy has arrived on Netflix with even fewer laughs than usual.

Olivier Assayas' look at modern Russia and the power brokers behind Vladimir Putin lacks the satirical punch it should have.