Toy Story 4 is better than pretty good, probably, but it just doesn’t have that extra something that distinguishes Pixar’s best.

A biopic of J.R.R. Tolkien may not have demanded to exist, but on the spectrum of possible candidates for biopics, he’s more than deserving.

Performance does not feel like an important aspect of High Life, which one could attribute to Denis not directing in her native language.

This is a more creatively successful interpretation of the Dark Phoenix story than Ratner's X-Men The Last Stand was, though not by much.

What gives the new inverted Superman tale Brightburn something extra is that it carries with it an overriding sense of doom

Rocketman is reflective of Elton John's musical sensibilities. His songs are broad and kaleidoscopic and luxurious. The film is too.

In All Is True, Kenneth Branagh plays Shakespeare for the first time in a career distinguished by adaptations of the playwright’s work.

This new Aladdin is not without its appeal though its biggest appeal is that it will probably make you want to rewatch the original.

There's a great deal of style to John Wick 3 and a serious enthusiasm in the establishment of its fantasy elements, even if they never quite stick.