reviews All Reviews REVIEW | War for the Planet of the Apes (2017) John Roebuck / 22:21 / 24.07.17 A better film dwells within the reels of Matt Reeves' War for the Planet of the Apes, but only a significant re-edit would yield it.
reviews Top Picks REVIEW | Dunkirk (2017) John Roebuck / 13:51 / 19.07.17 Many of the decisions in Dunkirk are counterintuitive in regards to our expectations of what war films do, that have been accumulated over decades.
reviews All Reviews REVIEW | The Beguiled (2017) John Roebuck / 21:41 / 10.07.17 We review Sofia Coppola's latest flick, The Beguiled, which recently won Coppola the Best Director at the Cannes Film Festival.
Editor's Choice reviews Top Picks REVIEW | It Comes At Night (2017) John Roebuck / 13:22 / 04.07.17 It Comes At Night is one of the very best movies to hit the cinemas in the past few years and must absolutely be seen by everyone as soon as possible.
reviews All Reviews REVIEW | Spider-Man: Homecoming (2017) John Roebuck / 11:57 / 04.07.17 Tom Holland is wonderful as Peter Parker in Jon Watt's Spider-Man: Homecoming, which is an otherwise competent but forgettable film.
reviews All Reviews REVIEW | Baby Driver (2017) John Roebuck / 9:45 / 30.06.17 Edgar Wright's Baby Driver is cliche that thinks it's homage. There's a lot going on superficially, but not much at all underneath.
Editor's Choice podcasts John Roebuck’s Film School JOHN ROEBUCK’S FILM SCHOOL | Dogme 95 John Roebuck / 17:45 / 27.06.17 Episode #7 Become a film connoisseur without even trying, thanks to John Roebuck’s Film School; exploring the
reviews All Reviews REVIEW | Rough Night (2017) John Roebuck / 22:08 / 14.06.17 The quality of Rough Night should be the base quality for every large (or larger) budget Hollywood film with talent of this calibre. But it isn't.
reviews All Reviews REVIEW | The Mummy (2017) John Roebuck / 2:00 / 08.06.17 The Mummy is an example of how filmmaking is done in a scenario in which the filmmakers have the budget but not the capacity.
