It’s just that the high standard Chris Morris previously set for himself keeps The Day Shall Come from reaching its best possible heights.

Paul Downs Colaizzo's Brittany Runs a Marathon does meander a bit and spending time on tangents that don’t seem to fully pay off.

Regardless of the shiny veneer that suggests something more innovative than genre retreading, Midsommar subscribes to many conventions wholeheartedly.

As spectacle, Ophelia has some pleasures, as the film’s sets and characters are dressed in a way consistent with the highest levels of production design.

In Fabric loses us in Strickland's desire to invoke purposeful weirdness and wins us back with fleeting moments of promise in which clarity seems possible.

Hobbs & Shaw is a powerful persuader that there's more to big, dumb action films like Fast Five than bigness and dumbness.