If it weren’t for the end credits, Brian Henson's disastrously unfunny new film The Happytime Murders would be a total loss.

Everybody Knows explores what parents will do (or not do) for their children and the complicated relationship between the past and the present.

You Were Never Really Here is not a deconstruction of masculine violence in cinema, as some have suggested, it is another example of it.

Cold War is a marvel of the moving image and it engages heady themes. Still, it’s a little less than the sum of these parts.

The notoriously eccentric Cannes Film Festival does not always choose wisely when doling out its awards, but Shoplifters does the jury proud.

It's not hyperbole to suggest that Jaws changed the film industry forever. The Meg will simply perpetuate the crap. This movie is trash.

The controversial Gaspar Noe is not for everyone. For those who can stomach him, Climax finds him at his creative peak.

Jon M. Chu's romantic comedy, Crazy Rich Asians, may be a slight movie but it's a genial step in the right direction for Hollywood.

We want your amazing films! The ReelGood Film Festival is currently accepting submissions for 2019. Better get submittin'.