Reitman and Cody have had their share of ups and downs, but don’t let any distrust of their assets steer you clear of Tully. In Charlize We Trust.

Alex Garland’s adaptation of the Jeff VanderMeer novel Annihilation feels like a reimagining of Tarkovsky’s 1979 film Stalker.

The Square is right up there with Banksy's Exit Through The Gift Shop as one of the best films about the conceit that accompanies our perception of art.

We’ll be remembering Coco and talking about it in the same conversation as Pixar’s all-time greats, which is no small praise.