Enter Bad Times at the El Royale, a film that hearkens back to just after Quentin Tarantino introduced a world of ensemble crime movies.

There's a significant atmosphere of good intentions surrounding Joel Edgerton's film, Boy Erased, that are, for the most part, met.

Venom is a baffling mess of a movie, with a confused and erratic central performance from Tom Hardy, that fails on almost every front.

Family dynamics like the ones in Xavier Legrand's Custody are never fully resolved, a reality of which the film is amply aware.

Don’t Worry, He Won’t Get Far on Foot is not a cruel joke about the challenges of a quadriplegic. Okay, it is – but it’s made by the quadriplegic himself.

The talent of director Eli Roth is nowhere to be seen here. The House With the Clock In Its Wall is just a bunch of topiary poop.

It's not the fault of Anna Kendrick that A Simple Favour doesn’t work. Kendrick remains at the top of her class in most aspects that define a star.

Shane Black's The Predator is a ferocious example of how not to make a movie, in almost every regard. It is a disappointing mess.