There's certainly nothing as radiant as the Bill Murray cameo from the original. Double Tap is more Zombieland, for better or for worse.

Hustlers has its cake and eats it too. It contemplates a world out of balance, where people hurt other people in a vicious cycle with no winners.

There are many striking visuals in Joachim Rønning’s Maleficent: Mistress of Evil, perhaps none more so than Maleficent herself.

There’s something stiff in Jim Jarmusch’s The Dead Don’t Die, but it ain’t the reanimated corpses Jarmusch, a

One of the most painful things for the character of the Joker has always surely been that, at the end of the day, he simply isn't funny.

Technology aside, Ang Lee's Gemini Man is an underwhelming film, with a woefully underwritten script and uneven, waddling direction.

Abominable is Dreamworks’ tale of a girl and her abominable snowman, and it’s a co-production with the Chinese film studio Pearl.

Good Boys is funnier than most comedies but that is more telling of the climate of contemporary comedy than it is many virtues on the part of this film.