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REVIEW | Fingernails (2023)

Derek Armstrong / 10:00 / 06.11.23
Love manifests itself most in the fingernails, according to this new romantic drama with a sci-fi twist.
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REVIEW | Pain Hustlers (2023)

Derek Armstrong / 10:24 / 01.11.23
A new Netflix rags-to-riches-to-rages story examines big pharma's role in the opioid crisis, with disappointingly familiar results.
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REVIEW | The Killer (2023)

Derek Armstrong / 9:57 / 27.10.23
David Fincher's latest is a "David Fincher movie" in subject matter, but not in scope or ambition.
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REVIEW | Mercy Road (2023)

Derek Armstrong / 8:49 / 25.10.23
Aussie director John Curran gives virtual production a whirl with this new thriller.
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REVIEW | The Conference (2023)

Derek Armstrong / 10:03 / 16.10.23
A new Swedish horror on Netflix finds bloody chaos at a work retreat in the woods.
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REVIEW | Flora and Son (2023)

Derek Armstrong / 9:45 / 10.10.23
Once director John Carney is back with his fourth feature, which entertains despite occasional moments of excess sentiment.
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REVIEW | Saw X (2023)

John Morrissey / 9:45 / 09.10.23
The Saw series made it to ten by reviving a character who has been dead for the last eight movies.
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REVIEW | The Creator (2023)

Derek Armstrong / 9:57 / 05.10.23
Godzilla and Rogue One director Gareth Edwards returns with an original sci-fi film that has its share of hits and misses.
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REVIEW | A Haunting in Venice (2023)

Derek Armstrong / 12:58 / 26.09.23
Diminishing returns are starting to creep into Kenneth Branagh's Hercule Poirot movies, based on the books of Agatha Christie.

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