Broken Lizard – the comedy troupe and creators of Super Troopers and its sequel, Super Troopers 2 – have not evolved. To them, it's still 1999.

If there's a single-person incarnation of the best reason to see Unsane, it's the star Claire Foy, not the director Steven Soderbergh.

If you're going along to a film like Brad Peyton's Rampage, the importance of plot diminishes while the importance of destruction increases.

Breath is a story of understatement, despite following characters that pursue large sensations. It is the sort of story that does a lot with a little.

In many ways, Isle of Dogs is arguably one of Wes Anderson's very best films. That visual mastery has a lot to do with this.

Truth or Dare walks that precarious line between unintelligent fun and just plain bad. Most of the time, it's just plain bad.

Ava Duverney's A Wrinkle in Time is a stunning illustration of inept filmmaking, clumsy storytelling and shallow character development.