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Tag: Documentary

Editor's Choice
reviews Top Picks

MIFF REVIEW | The Leunig Fragments (2019)

John Roebuck / 22:38 / 11.08.19
The Leunig Fragments reinforces Australian director Kasimir Burgess as a serious filmmaking talent that ought to be fostered.
Editor's Choice
reviews Top Picks

MIFF REVIEW | The Australian Dream (2019)

Derek Armstrong / 14:14 / 02.08.19
The Australian Dream is not an uncommon type of film as it’s one of many in the medium that has strived to help us understand each other better.
reviews All Reviews

REVIEW | Apollo 11 (2019)

John Roebuck / 21:47 / 23.07.19
Apollo 11 is a means of conveying an experience and in that capacity it is less successful than First Man despite the authenticity in its images.
Editor's Choice
reviews Top Picks

REVIEW | Hail Satan? (2019)

Derek Armstrong / 17:55 / 18.07.19
Hail Satan? is saturated with compelling content. It’s moving at times, especially if you are inclined to agree with the temple’s progressive attitudes.
reviews Top Picks

REVIEW | Mystify: Michael Hutchence (2019)

Derek Armstrong / 11:36 / 08.07.19
Michael Hutchence’s life story followed something of a familiar arc for the rock musician who died young or at least fell from grace.
reviews Top Picks

REVIEW | Three Identical Strangers (2018)

Derek Armstrong / 10:05 / 07.09.18
Tim Wardle's Three Identical Strangers doesn't break the mould when it comes to documentary filmmaking, but it is expertly executed.
reviews Top Picks

REVIEW | RBG (2018)

Derek Armstrong / 21:54 / 02.08.18
As a film, RBG doesn’t challenge the form in any way, though it’s quite competently constructed and does all it needs to do.
reviews All Reviews

REVIEW | The Gospel According to Andre (2018)

Derek Armstrong / 10:59 / 21.07.18
Kate Novack's The Gospel According to Andre spends 90 minutes on a man who has dipped his toe into all corners of the fashion world.
podcasts John Roebuck’s Film School

JOHN ROEBUCK’S FILM SCHOOL | Cinéma Vérité

John Roebuck / 22:02 / 12.09.17
Episode #8 Become a film connoisseur without even trying, thanks to John Roebuck’s Film School; exploring the

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