Tag: Anya Taylor-Joy

George Miller's origin story of the most interesting character from Mad Max: Fury Road lacks a sense of the new, but is still a worthy watch.

David O. Russell may have spent the seven years since his last film signing up movie stars, but he should have worked more on his script.

After debuting with two truly striking features, Robert Eggers probably had nowhere to go but downward, if not radically so.

Edgar Wright's psychological horror defies expectations, but not in a way that's useful or narratively satisfying.

Emma may not be the kind of adaptation that argues for its own existence by reimagining the material or making a strong new choice in how to present it.

Glass is absolutely not Shyamalan's worst film, though it is another telling indication that he may never come close again to his best.

Split ought to have spent more time with each of Kevin's personalities rather than exploiting them for the use of a lesser more generic film,

Morgan The directorial debut from Ridley Scott's son, Luke, is not a complete waste of time, but it’s not very intelligent, artificially or otherwise.