Derek Armstrong

Hustlers has its cake and eats it too. It contemplates a world out of balance, where people hurt other people in a vicious cycle with no winners.

There are many striking visuals in Joachim Rønning’s Maleficent: Mistress of Evil, perhaps none more so than Maleficent herself.

There’s something stiff in Jim Jarmusch’s The Dead Don’t Die, but it ain’t the reanimated corpses Jarmusch, a

Abominable is Dreamworks’ tale of a girl and her abominable snowman, and it’s a co-production with the Chinese film studio Pearl.

Downton Abbey has been off the air for years now, and apparently, everyone involved with it was really looking for something to do with their time.

The Lodge is one of those films where people create their own problems, and then ask us to sympathise with them as though they hadn’t.

Extra Ordinary is sweet and a lot of fun. Its Irish sensibilities make it a real joy, especially as embodied by Higgins in a delightful central turn.

It’s just that the high standard Chris Morris previously set for himself keeps The Day Shall Come from reaching its best possible heights.