Derek Armstrong

By the waning moments of Bill Condon's The Good Liar, the token gestures toward modern political correctness become groan worthy.

Rian Johnson's new movie, Knives Out, is an old-fashioned whodunit, and such movies tend to hinge on the acuteness of their cleverness

Terminator: Dark Fate finds the balance most modern reboots are seeking, delivering the familiar elements we love with a sprinkle of just enough new.

Last Christmas is an opportunistic enterprise from top to bottom, and it isn’t a fitting project for George Michael – or any of the other talents involved.

Doctor Sleep is clearly a comfortable fit for director Mike Flanagan, who made the solid King adaptation Gerald’s Game a couple years back.

In Soderbergh’s own body of work, The Laundromat most closely resembles something like Contagion, though with a lot more lightness and sense of humour.

El Camino: A Breaking Bad Movie has just dropped on Netflix as a way of wrapping up the story of Breaking Bad co-protagonist Jesse Pinkman.

Hustlers has its cake and eats it too. It contemplates a world out of balance, where people hurt other people in a vicious cycle with no winners.