Derek Armstrong

When cinemas shutter, streaming becomes our new home for new releases.

We get beyond Contagion and Outbreak for some vital virus viewing.

Force Majeure is both more subtle and more broad than Downhill, leaving the American film in a slushy middle ground.

There are many more things The Invisible Man does well, making Leigh Whannell’s film worthy of the additional visibility it’s getting.

Emma may not be the kind of adaptation that argues for its own existence by reimagining the material or making a strong new choice in how to present it.

One wonders if "unhinged Cage" was a primary motivator for Richard Stanley casting Cage in the latest adaptation of Lovecraft’s “The Colour Out of Space."

There’s nothing subtle about Birds of Prey, but it does prove that people can, sometimes, learn from an epic critical misfire.