Derek Armstrong

Sorry to Bother You is rough around the edges and it doesn’t always work, but you get the sense Boots Riley wouldn’t have it any other way.

Bold choices don’t always pay off, though, and there’s a bit of a sense of that as Richard Eyre's The Children Act winds down.

Steven Caple Jr.'s Creed II is an instance of history repeating itself though it will likely do well enough to engender a Creed III.

Unless you’re a 7-year-old, a ballet fan, or both, what you want to know about The Nutcracker and the Four Realms is whether Disney's writers are on acid.

Bohemian Rhapsody is the kind of movie designed to tick boxes, and it ticks them. That doesn’t make it a great piece of art.

Luca Guadagnino may strike some people as a strange choice for director of the brand new remake of Dario Argento's Suspiria.

Without anything that tells us what makes its protagonist tick, The Old Man & the Gun movie feels pretty inconsequential.

If A Star is Born is something less than a total success, which it is, it’s probably because life is something less than a total success.

Enter Bad Times at the El Royale, a film that hearkens back to just after Quentin Tarantino introduced a world of ensemble crime movies.