Derek Armstrong

Enter Bad Times at the El Royale, a film that hearkens back to just after Quentin Tarantino introduced a world of ensemble crime movies.

Family dynamics like the ones in Xavier Legrand's Custody are never fully resolved, a reality of which the film is amply aware.

Don’t Worry, He Won’t Get Far on Foot is not a cruel joke about the challenges of a quadriplegic. Okay, it is – but it’s made by the quadriplegic himself.

The talent of director Eli Roth is nowhere to be seen here. The House With the Clock In Its Wall is just a bunch of topiary poop.

It's not the fault of Anna Kendrick that A Simple Favour doesn’t work. Kendrick remains at the top of her class in most aspects that define a star.

Tim Wardle's Three Identical Strangers doesn't break the mould when it comes to documentary filmmaking, but it is expertly executed.

If it weren’t for the end credits, Brian Henson's disastrously unfunny new film The Happytime Murders would be a total loss.

Everybody Knows explores what parents will do (or not do) for their children and the complicated relationship between the past and the present.