Derek Armstrong

The Lodge is one of those films where people create their own problems, and then ask us to sympathise with them as though they hadn’t.

Extra Ordinary is sweet and a lot of fun. Its Irish sensibilities make it a real joy, especially as embodied by Higgins in a delightful central turn.

It’s just that the high standard Chris Morris previously set for himself keeps The Day Shall Come from reaching its best possible heights.

Paul Downs Colaizzo's Brittany Runs a Marathon does meander a bit and spending time on tangents that don’t seem to fully pay off.

As spectacle, Ophelia has some pleasures, as the film’s sets and characters are dressed in a way consistent with the highest levels of production design.

What always keeps Crawl on the positive side of that dividing line between good and bad is Aja’s undeniable skills as a visual storyteller.

It’s ultimately in a bunch of small details in the second half of Olivia Wilde's new teen comedy Booksmart that the film distinguishes itself.