Derek Armstrong

The talent of director Eli Roth is nowhere to be seen here. The House With the Clock In Its Wall is just a bunch of topiary poop.

It's not the fault of Anna Kendrick that A Simple Favour doesn’t work. Kendrick remains at the top of her class in most aspects that define a star.

Tim Wardle's Three Identical Strangers doesn't break the mould when it comes to documentary filmmaking, but it is expertly executed.

If it weren’t for the end credits, Brian Henson's disastrously unfunny new film The Happytime Murders would be a total loss.

Everybody Knows explores what parents will do (or not do) for their children and the complicated relationship between the past and the present.

Cold War is a marvel of the moving image and it engages heady themes. Still, it’s a little less than the sum of these parts.

The notoriously eccentric Cannes Film Festival does not always choose wisely when doling out its awards, but Shoplifters does the jury proud.

The controversial Gaspar Noe is not for everyone. For those who can stomach him, Climax finds him at his creative peak.