Tag: 2018

If you're going along to a film like Brad Peyton's Rampage, the importance of plot diminishes while the importance of destruction increases.

Breath is a story of understatement, despite following characters that pursue large sensations. It is the sort of story that does a lot with a little.

In many ways, Isle of Dogs is arguably one of Wes Anderson's very best films. That visual mastery has a lot to do with this.

Truth or Dare walks that precarious line between unintelligent fun and just plain bad. Most of the time, it's just plain bad.

Zoe is leaving. We don't know how long she'll be gone. Maybe a long time. And that's we why decided to talk about her favourite film, True Romance.

Ava Duverney's A Wrinkle in Time is a stunning illustration of inept filmmaking, clumsy storytelling and shallow character development.

The special appeal of A Quiet Place is primarily that gimmick, but for a time it also functions as a very watchable film.

Mary Magdalene does stake a claim to something we haven’t seen before, at least in the most prominent cinematic depictions of the Christ story.

You watched 31 of the best new Australian short films over the past weekend. Thanks for coming along to the ReelGood Film Festival!