Tag: 2018

I'll give Christian Rivers's brand new science fiction, Mortal Engines, one thing. It's not often you see a person outrun a city.

Ralph Breaks the Internet follows a similar course to its predecessor, Wreck It Ralph, on a broader scale, and isn't quite as successful.

Sorry to Bother You is rough around the edges and it doesn’t always work, but you get the sense Boots Riley wouldn’t have it any other way.

Bold choices don’t always pay off, though, and there’s a bit of a sense of that as Richard Eyre's The Children Act winds down.

Steven Caple Jr.'s Creed II is an instance of history repeating itself though it will likely do well enough to engender a Creed III.

Widows is not a bad film but it is another pedestrian entry into a filmmaker that has gotten far more credit for being interesting than he deserves.

Unless you’re a 7-year-old, a ballet fan, or both, what you want to know about The Nutcracker and the Four Realms is whether Disney's writers are on acid.

We definitely talked about Luca Guadagnino's Suspiria and whether that talk is worthwhile is completely up to you, dear listeners.

Bohemian Rhapsody is the kind of movie designed to tick boxes, and it ticks them. That doesn’t make it a great piece of art.